Gravity South

Electronic Music From The Southern Tip Of Africa

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This is a session to celebrate the journey of life. A very appropriate session given the news that my wife and I will be having a daughter!

Firstly, the track listing:

1. Hybrid – Transmigration III (Original Mix)
2. Soundprank – Chakra (Original Mix)
3. Dave Shtorn – Pulses (Original Mix)
4. Exoplanet – The Sad Demise of R. Millhous (Dave Storn Remix)
5. Moonbeam – Only This Moment (Original Mix)
6. Soundprank – The Far Side (Original Mix)
7. Flashtech, Greyloop – I Don’t Know (Original Mix)
8. Ivan Jaime, Andres Lopez – Angel Signs (Weepee Mix)
9. Behind Blue Eyes, Krusseldorf – Horizontal View (Sun Control Species Mix)
10. Armin Van Buuren – Virtual Friend feat. Sophie (16 Bit Lolitas Mix)
11. Roger Martinez – Discover (Luke Chable Remix)

Starts off nice and slow, and takes a while to get going which I like. Then, keeping with a slowish BPM goes a little deeper with Dave Shtorn’s tracks. Soundprank into Flashtech starts opening the session up until Ivan Jaime and Andres with the Weepee mix of Angel Signs moves the session into a driving mode. 16 Bit Lolitas and Luke Chable end off on a nice uplifting and driving note.

Enjoy!
Travis

Another remix competition (Although given when I finally posted this up, it might not even get included), and was attracted to it as its from one of my mentors… Sasha!

I absolutely loved the vocal, and tried to keep as close to the original. I did chop it a little here and there, and abused it for some of the background textures, but all in all, it was the main lead of the track.

I produced it as usual with Ableton, and had some great fun with automation, iZotope’s Stutter Edit and of course the upgraded Omnisphere.

Enjoy!
Travis

Arriving at the venue was interesting, especially coming in from Greyton side (Opposite to most), our GPS took us through some twists and turns, but we made it there without any problems. I loved winding down into the valley, gave you a great overview of just how beautiful the site was. We managed to get a good parking, and the walk from the car park through the amazing tented area to the floor was awesome… The place had such a great vibe to it!

We hooked up with mates at the Aquarians Tent area, and after a few refreshing drinks the fun began. After the late start of the main floor, I had the honour of transferring the party from day to night… It was quite a warm day, so in the end the delay helped a bit with not having to dance at the peak heat of the day. A snippet of what a played (Hour session dedicated to Origin):

The track listing you can find here.

By the time Indiginus got going people where keen ta party… He did a great job in warming up the crowd, and by the time I hit the decks Origin was getting into full swing. I handed over to Connecto just before 20:45, and he got the evening off to a full on groove.

After Connecto’s set and after a long day, we eventually headed home to Greyton to start the next day with a good Champagne breakfast!

Thanks to Regan and Monique for all the organizing. Thanks to all the people for the great vibe, and thanks to the owner(s) of the land that allowed Origin to be hosted in such a beautiful valley!

Travis aka Torabisu

I’ve put together a session with some of the music that I’ll be playing at Origin… For those that are going to Origin this will be a great way to get you in the mood. For those that are not gonna make it, hopefully this session will give you a taste of what ya missing.

I’ll be playing at:

12h00 – Indidginus
13h30 – Torabisu
15h00 – DJ Connecto

Take a listen or download:

Session track listing:

  1. Hybrid – Transmigration II (Original Mix)
  2. Shane Long – Vertigo (Original)
  3. Shiloh – Landmine Hopscotch (Soundprank’s Aperature Mix)
  4. Ryan Mullin – Universal Indicator (Shiloh Remix)
  5. Rene Amesz, Baggi Begovic – Smells Like Teen Spirit (Original Mix)
  6. Sun Control Species – Yaban (Original)
  7. Manuel De La Mare – Sunrise (Original Mix)
  8. Sun Control Species – Serenaii (Original)
  9. Benjani – Over The Abyss (KhoMha Remix)
  10. Stan Kolev – Water Of Life (KhoMha Sunrise Remix)
  11. Spooky – Little Bullet (Ballistic Mix)

I spent quite a bit of time mixing this set in key, making sure it builds as far as BPM goes, and builds in general feel. My favorite track is definitely Shiloh – Landmine Hopscotch (Soundprank’s Aperature Mix). Shiloh never ceases to amaze me!

For those that follow me and Gravity South, I’ll have a couple of CD’s at Origin to hand out…

Enjoy!
Travis / Torabisu

Travis, aka Torabisu (Incorrectly spelt on the flyer as Torasibu), is performing at Origin Music on Saturday afternoon….

See Origin Festival Website for details.

Many years ago in my Cubase days, when I started producing I found a single screen was very squashed, and when you have many VST pop ups, mixers etc it was very clunky to mix… So I did as what many people do, was to upgrade my video card and go dual screen. This was great, gave me more screen real-estate and I could layer out my project and really focus on the core elements. Sequencer / project one screen, VST’s and mixer other screen.

Then, wide screen monitors started coming out, but I was still against the drive towards them, as it still seemed you were trying to squeeze in windows, and I actually preferred the “break” down the middle of a dual screen set up, which could almost force you to visually manage your projects better.

Unfortunately for my layout (And future budget), but fortunately in all other elements I moved to Ableton. I’m using my dual screens with my entire Ableton project to my left, and pop up VST’s, Audio Editor / Mixed In Key / Misc Audio Apps to my right. I’m a little OCD so this bothers me as I’m not sitting “square” / centre in front of Ableton.

So this brings me to my Software Development side, and SDI and MDI (See Multi Document Interface

Some applications just support dual screens, like Cubase and EnergyXT… Some applications like Ableton support best support widescreens… Reason I’d say is 50/50… :-)

I think I’m definitely gonna migrate my screens to widescreen cause the other advantage I’ve only really experienced for the first time now, is doing studio work at the airport on my laptop, and seeing how well Ableton flows with single screen real-estate.

I’ve been happy with my APC40 Controller, but the more you use its functionality, you find that its default mapping just isn’t good enough, in both a production and dj live set scenario.

So, after some googling, I found remotescripts.blogspot.com who has an awesome write up on how to actually change how your APC works. What really got me going, was that Ableton’s controller interface is written in Python… Its the core language I code in every day of my life!

After checking out Ableton’s Live Object Model it was really easy to pull the code into my favorite development environment and get cracking on some modifications.

My first modification I’ve made is to keep the Ableton “red box” in view / focus if I select a scene / track with my keyboard or mouse. I just added a new function called _keep_session_in_view():


def _keep_session_in_view(self):
"""
When a select track / select scene event is triggered and that track is
outside the current session position, move it so that it remains
in view. This catches mouse or keyboard events as well as your normal
bank move buttons.

It moves the grid a session size at a time, so for the APC 40 it
moves every 8 cells to the right, and 5 to the bottom.

@note: Getting the index of the selected track and scene could probably
be improved, off hand couldn't find a helper method or property.
"""
try:
selected_track = self.song().view.selected_track
selected_scene = self.song().view.selected_scene

track_index = 0
for track in self.song().tracks:
if track == selected_track:
break
track_index += 1

scene_index = 0
for scene in self.song().scenes:
if scene == selected_scene:
break
scene_index += 1

x = 0
y = 0

while (x < track_index + 1 - self._session.width()):
x += self._session.width()
while (y < scene_index + 1 - self._session.height()):
y += self._session.height()

self._session.set_offsets(x, y)
self._session.update()
except Exception, ex:
self.log_message('Could not keep session in view: %s' % ex)

Its called from both _on_selected_scene_changed() and _on_selected_track_changed():


def _on_selected_track_changed(self):
self.log_message('on_selected_track_changed called...')
ControlSurface._on_selected_track_changed(self)
track = self.song().view.selected_track
device_to_select = track.view.selected_device

self._keep_session_in_view()

if device_to_select == None and len(track.devices) > 0:
device_to_select = track.devices[0]
if device_to_select != None:
self.song().view.select_device(device_to_select)
self._device_component.set_device(device_to_select)
return None

def _on_selected_scene_changed(self):
ControlSurface._on_selected_scene_changed(self)
self._keep_session_in_view()

You can download the Gravity South APC40 script here, and copy it to your Ableton MIDI Remote Scripts folder.

A group of us are involved in throwing a part once a year. All DJ’s, and VJ’s play for free, and most of the audio visual gear is put together by us… All proceeds we make then go to the Starfish Children’s Foundation. It started really small, 20 people at a friends house, and has grown to and outdoor festival of over a few hundred people.

So, I decided to make a ring tone to support the cause…

I recorded my voice, and transposed it to down a little more serious, and ran it through an effects chain, mainly using Uhbik VST’s.

Put together some nice dynamic bass stabs, simply layered into a Drum Rack in Ableton, strategically placed and EQ’d. Similar technique with the lead synth stabs, with a beautiful pad from Omnisphere to bring that warmth to the track.

Percussions the normal, chopping up here and there… Nice bit of compression on the snare which really makes it pop pop pop.

There’s a very soft background sound that runs through the entire track taken from children playing in a park (Side chained), and in-between each of the main vocals, a lead snippet of children’s voices come in and out.

So, support the cause, download the ring tone!

So my wife runs her own wine company called KGB Wine. She was chosen to become an Ambassador for Kleine Zalze, and with that came a few tasks / changes. See her original post here.

Anyways, she got points for uploading posts, and more points for images and video, so I thought why not upload some audio too? So, we decided to make a wine ring tone.

We took wine bottles, glasses, boxes etc, and with the help of my kitted out studio started recording in all the raw sounds. I got some amazing records using my SE mic and vocal booth.

That afternoon we hit our garden with a picnic blanket (and a bottle of wine) to have lunch, during which I put on Global Underground 24 (Reykjavik) Disk 1 – Dave Seaman, and thats when the inspiration hit:

Track 03: Atlas – Compass Error (Tarantella Redanka Dubbed Version)

I just loved that heart beat break beat groove that the track has… So, I got cracking and layered out the project in Ableton. After a few hours in the studio I had wrapped it up!

I really enjoyed making this ring tone as it combined both my wife’s hobby, and mine. Plus we had great wine while making it!

You can download the ring tone from here.

Wow, this set really sent me back a couple of years… Some great old school progressive classics in good ol Hybrid style! Thanks James, and Hybridized! You can download from Hybridized here.

Below the track listing:

  1. Intro
  2. Hybrid – FM
  3. Satoshi Tomiie – Love in Traffic (Hybrid Mix Clean Edit) with Hybrid – Empire
  4. Planet Funk – Everyday (Hybrid’s 1150 Remix)
  5. Elite Force – You (Hybrid Mix)
  6. The Crystal Method – Name Of The Game (Hybrid’s LA Blackout Mix)
  7. Future Funk Squad – Towards The Sun (Hybrid Remix)
  8. Freq Nasty – Boomin’ Back Atcha! feat Phoebe One (Hybrid’s ‘Music To Plough Fields To’ Mix)
  9. Killahurtz – Kiss For The Dying (Hybrid Echoplex 0405 Mix)
  10. Hybrid – Can You Hear Me (Kill City Sounds Dub 02) with BT – Godspeed (Hybrid Mix) [James Warren Bootleg]
  11. Long Range – Just One More (Hybrid Mix) w/ Hybrid – Break My Soul (Kill City Sounds Mix 01) w/ Hybrid – Break My Soul (Original Mix) [James Warren Bootleg]

Enjoy!

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